The New Empire, its most recent release, shot to the top of the franchise’s box office rankings in no time. There will probably be two sides to this. Although that kind of revenue will almost certainly result in sequels, it might also tie those upcoming adventures into well-known patterns.
2014 saw the debut of Godzilla in the Monsterverse. The rights to Godzilla, King Kong, and a number of other kaiju characters were acquired by Legendary Pictures in 2013, following the huge success of Guillermo del Toro’s amazing film Pacific Rim. Over time, the eventual shared universe took shape.
Godzilla’s American relaunch stood alone as an effort at a project that had a disastrous run in the 1990s. Although the movie had a few minor nods to vintage kaiju horror, its main focus remained on action and scale. Kong: Skull Island was an attempt at taking on King Kong after it became profitable.
Retired CEO Thomas Tull had long dreamed of a showdown between the two monster monarchs, and his wish was granted when Godzilla: King of the Monsters cleared the path for Godzilla vs. Kong. Although that momentous encounter seemed like the grand climax of the Monsterverse, it has now established itself as the new standard for a show that isn’t slowing down.
One of the franchise’s biggest critical hits is still Godzilla vs. Kong. Godzilla vs. Kong is tied with Godzilla (2014) for the top spot in the franchise, whereas King of the Monsters and Godzilla x Kong have dismal reviews on Rotten Tomatoes. The majority make a special effort to praise the movie’s simplicity.
It abandons the most of the human drama and story cliffhangers from the earlier entries in favor of concentrating almost solely on the large monkey striking the large reptile. It’s admirable that the simple plea prompted Godzilla x Kong to focus even more on monster violence.
Its ceaseless efforts yielded declining returns when viewed critically, even if the money kept coming in. It’s obvious that the Monsterverse needs some modernization. That fresh perspective might come from one of its leading creative talents.
Prior to joining Legendary Pictures’ enormous monster franchise, filmmaker Adam Wingard helmed a number of acclaimed horror pictures. His early films, such as A Horrible Way to Die and Pop Skull, made him a fascinating talent in the low-budget arena.
With the release of You’re Next in 2011, Wingard shot to fame and gained recognition from a much larger audience. The Guest, in which Dan Stevens terrorizes a bereaved family with an intriguing pro-violence mindset, is possibly his best horror film.
Then the filmmaker committed two grave errors. Despite taking many of the most iconic parts from the original Blair Witch, his adaptation was unable to resurrect its charm. The better to say nothing at all about his appalling Death Note. Since then, Wingard’s work has only been on Monsterverse films. Kong and Godzilla could be his finest routes back into the horror genre.
It’s unlikely that the Monsterverse could recreate Minus One’s sweeping, graceful, and poignant horror. Still, it might find a new home in something unfamiliar. Some of the extant kaiju have an odd, frightening, extraterrestrial appearance that Adam Wingard can embrace.
He can create horror movies that depict the hardships faced by common people attempting to survive in a world ruled by titans. There would be a ton of terrifying stories to come from a Hollow Earth exploration. Although the human characters in Monsterverse films are mostly pointless, embracing their experience may yield intriguing outcomes.
See what Godzilla and Kong are capable of by looking up at them. Present fresh kaiju to play antagonists. Show humanity battling the reawakened Titans without the aid of their protectors. Though the differences may be insignificant, the Monsterverse may contain monsters that are quite terrifying.
